Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Saturday, December 21, 2013

Ice-T Reflects On Past As Pimp And Gun Control: ‘I Want A Gun’

(By Courtney Garcia, The Grio.com, 10 July 2013)

Ice T. Photo courtesy Indie PR.

Ice-T expresses no shame over his past days as a pimp, bank robber, and street hustler.  In the same respect, he exudes pride in the path he took to overcome that life, a feat possible in part to his commitment to hip-hop and study of another criminal convert, Iceberg Slim.  Ice discovered the reformed pimp’s literature in high school, and found that reading it not only made the rapper feel “cool” with the crowd, but demonstrated how any man – broken, misguided or forgotten – could turn tragedy into treasure.

As executive producer of the new documentary Iceberg Slim: Portrait of a Pimp, Ice tells theGrio he hopes that same message will come across to those unfamiliar with Slim’s story and novels.  “A lot of misguided kids read [his books] and wanted to pimp and wanted to be like him,’” Ice recalls. “There was a point in my life when I realized – wait a minute, this guy’s a writer. If I really idolize him, I need to document the game, not just live it. That’s the way it kind of fashioned my storytelling, and my writing techniques, and my rap music.”

Rhyme Pays: Lessons from a master criminal
Growing up both in New Jersey and the Crenshaw district of Los Angeles, Ice-T describes the time he evaded his own grave and/or cellblock by turning to music.  Though he wasn’t a fan of hustling, the 55-year-old says he initially felt it was his only option when it came to getting paid.  Nonetheless, he never quite mastered the art of pimping.  “We robbed banks, we robbed jewelry stores, we tried to pimp, we couldn’t get that down pat,” he remembers. “When rap music came along and my boys started going to prison, I started taking my adventures and putting them into music and found another way out.” 

The Law & Order: SVU star modeled his rap style after the authenticity he found in Slim’s books.  He appreciated the pimp’s visionary tales of navigating a brutal, unremorseful reality in search of higher power.  Ice forced his followers to get past the idea it was cool or glamorous to be a criminal, and acknowledge the truth behind his hustle.

A ‘whole lotta ho’ing’
Like Slim, Ice-T interpreted the business of street life not as a positive experience, but an accessible source of employment.  Women made sex an enterprise long before men joined the game, and female capitalists drove the market.  “If there was never a pimp there’d still be a whole lotta ho’ing going on,” Ice observes. “The difference in a pimp and a normal guy is that a normal guy says, ‘Oh this is terrible, you shouldn’t do it.’ And a pimp says, ‘Well, since you decided you gonna do it, let’s maximize this.’”  He continues, “No crime is positive. Whether you’re stealing cars, whether you’re selling drugs, whether you robbing or pimping, it’s not positive. Don’t get it twisted. It’s just a negative way to get paid.”

Sex as a commodity

While Ice tried his hand at the game, he never made it to Slim’s level, which he describes as a “full-time” position.  The upcoming documentary tracks Slim’s story from searching for money as a troubled kid in an impoverished home, to earning a reputation as the hardest player on the street, and the years of jail time that followed.  With interviews from Slim’s wife and daughters, and the scholars who studied his work, the film shows how a felon became a published author who influenced Blaxploitation films, literature, gangsta rap, and the commercialization of sexuality.  “Women figured out way before biblical times that there’s a commodity here,” says the rapper. “A guy figuring a way to wedge himself into this, he’s just trying to wedge his way into a game that really doesn’t need men.”
“The biggest pimp in the history of the world is Hugh Hefner,” he adds. “He came up with a genius plan where he said, ‘I won’t sell p**sy; I’ll sell the image of p**sy.’ See, girls won’t pay for dick, but men will pay for p**sy; it’s just how it goes. They’re going to buy pictures; they’re going to watch movies; they’re going to go to strip clubs. Now, with the Internet and all these web cams, the pimp is pretty much extinct. Women are now doing it themselves. They’ve got their own situation and they create the degree to which they want to give.”

Ice really does love Coco

Incidentally, Ice’s wife and model, Coco Austin, got her start at Playboy, and is currently starring in the Vegas striptease production PEEPSHOW.  The two brought their relationship into the spotlight with the reality series Ice Loves Coco. They have subsequently faced various criticisms that come with the job, including rumors their marriage is on the rocks and that Ice disapproves of Austin flaunting her body on the web.  Ice dispels the gossip, noting their relationship is “great,” that he can’t get mad at her for doing her job nor has he ever been upset with her risqué photographs.  The two won’t be returning to the show, however.  “We’ve got other projects, there might be a talk show,” the actor explains. “The problem with reality is, after you show people your life, your life starts to loop. You don’t really do much…If you keep those shows going, they kind of force you to do sh*t that you wouldn’t do. Like, ‘Let’s take Ice horseback riding.’ And it gets corny. We’re not the Kardashians. We’ve got other things going.”
Furthermore, now that Ice has made his famed run from gangsta rapper to actor to film producer, he finds Austin’s journey inspiring to watch from the sidelines.  As she closes out nearly a year on the stage, he says he’d be happy for her to rise above his wave.  “I don’t have any problem being the Celine Dion husband on the side of the stage with the ponytail in the back,” Ice jokes. “I’ve got my accolades, I’ve done my thing. I’ve achieved my victories. Because I’ve done it, I get a joy watching Coco do it. If two people take off at the same time, there could be resentment. Since I’m already Ice-T and you’re not going to be able to do sh*t about it, I want to see her win… It’s fun for me. I’m still in the game, I’m not at all insecure about it, and we’ve got one bank account.”

Why the ‘Original Gangster’ still wants his gun
The name Ice-T means different things to different people, but the rapper and actor hopes it will soon be associated primarily with film.  His venture into moviemaking began with 2012’s hip-hop documentary Something from Nothing: The Art of Rap, and this year, with Iceberg Slim and Assaulted: Civil Rights Under Fire, a documentary he’s narrating on the Second Amendment, he aims to prove his intentions as a “serious” filmmaker.  Considering his experience, Ice definitely has a story to tell.

He recalls surprising Austin with tales of his old ways, much in the fashion Slim gradually revealed himself to his own wife.  “Coco’s got her insight on me spread out over 13 years,” he points out. “She didn’t get it all in one day.”  On the subject of gun violence in America, which is at the center of ‘Assaulted,’ the former gangster admits he needs a weapon.  He argues that America’s founding fathers were “crazy,” and set a dark precedent that made guns a necessity from the onset.  “I’m not really into the Second Amendment,” Ice explains. “I’m not really truly into the Constitution if you really want to know. On the same piece of paper that says you have the right to bear arms, it also says you have the right to own black people…There were insane people signing that piece of paper so the whole damn thing should be void.”

Accordingly, while he can’t align with the Second Amendment, he supports what he feels is a fair solution to the status quo.  “If you’ve got a gun, I want a gun,” Ice believes. “Considering the fact this country is infested with them, I want one too. Whether it’s the right wing, the left wing, the crazy cult members, the criminals, the bad guys, the good guys, I don’t see why I shouldn’t have a pistol in my dresser just in case somebody comes kicking in my door. I’m not going to attack them with a butter knife.”  From Ice’s stance, there are written codes and there are human codes, and the two don’t always work in tandem.
Aaron Hernandez and the ‘pride’ complex

As the law guides a land governed by the disobedient, no walk of life seems immune to the consequences of insubordination, the case of Aaron Hernandez in point.  Ice calls it the result of pride.  “People are disrespectful and they say things,” he says. “The old Ice-T would just go get his pistol and handle it. But you have to get over it. You’re bigger than that. You have to let it ride. It’s hard. In society, we teach a double standard, which is don’t let anybody mess over you and take care of business, but then if you do it, you’re wrong…There are these rules of manhood, these rules of honor that [Hernandez] got caught up in that might relate to people in street games, to thugs, but doesn’t apply to the NFL…You just gotta be like run, and look at your swimming pool and throw tennis balls at your dog.”  That, in so many words, is the new Ice-T: transformed, living large, rolling with the camera lens.

Sunday, November 24, 2013

Nora Ephron


The Most Of Nora Ephron
(Reviewed by Jonathan Yardley, Washington Post, 15 November 2013)

"A couple of years before Nora's death in 2012," Robert Gottlieb writes in his brief introduction to this collection, "she and I sat down to begin putting together the table of contents for this book. Then other things got in the way - her play, 'Lucky Guy'; a movie script she was working on - and it was set aside. Perhaps, too, knowing how ill she was, she began to see the book as a memorial and that made her uncomfortable - she never said. But although I was aware of her dire medical situation, the original impulse behind the book was not to memorialize but to celebrate the richness of her work, the amazing arc of her career, and the place she had come to hold in the hearts of so many readers."

Ephron - I knew her very slightly and liked her very much - died in June of last year at the age of 71, though it's awfully difficult to picture her as that old. She had been diagnosed six years earlier with acute myeloid leukemia but died after contracting pneumonia, an infection to which leukemia patients are susceptible and against which many of them have little resistance. Apparently she faced her illness with the same humor and grit she brought to any undertaking, but she never wrote directly about it, at least not for public consumption. There are hints of her condition in the last pieces here, "What I Won't Miss" and "What I Will Miss," but it's telling that these were published in November 2010, nearly two years before her death; I assume that her final months were spent polishing "Lucky Guy," which opened on Broadway this year and is enjoying what looks to be a long run.

The combination of her preoccupation with the play and her reluctance to become deeply involved in the organization of this collection left that task largely in the hands of Gottlieb, whose long and noteworthy career at Knopf included editing most of her previous books. "I think I know what she would have wanted this book to be," he says, "and her family allowed me to shape it." The result is not an omnium gatherum - more on that in a moment - but "a portrait of a writer, a log of a writer's career, and an unofficial - and unintended - report on feminism in her time." We see her here as "a reporter, a profilist, a novelist, a screenwriter, a playwright, a memoirist, and a (wicked) blogger - blogging came along just in time for her to lash out fiercely at the bad old days of Bush/Cheney."

"The Most of Nora Ephron" has nine sections. "The Journalist" includes her funny and affectionate memoir of her apprenticeship at the New York Post and, among others, her devastating takedown of Theodore H. White, maestro of the "Making of the President" books. "The Advocate" is notable for her commencement address to the Class of 1996 at Wellesley College, her alma mater. "The Profiler: Some Women" has pieces about Dorothy Parker, Jan Morris, Helen Gurley Brown and others. "The Novelist," "The Playwright" and "The Screenwriter" include, respectively, "Heartburn," "Lucky Guy" and "When Harry Met Sally." "The Foodie" takes on Gourmet magazine and the "Food Establishment," the section's two highlights. "The Blogger" covers a number of pieces she wrote in the previous decade for the Huffington Post. Finally, "Personal" will please her most devoted readers because it includes two of her most famous pieces, "A Few Words About Breasts" and "I Feel Bad About My Neck."

I mention the Wellesley address not merely because it is very good as such things go but because it gives us a clue to where she was as this collection was being assembled. She told the new graduates, "This is something ... I want to tell you, one of the hundreds of things I didn't know when I was sitting here so many years ago: you are not going to be you, fixed and immutable you, forever." Amen. She continued:

"We have a game we play when we're waiting for tables in restaurants, where you have to write the five things that describe yourself on a piece of paper. When I was your age, I would have put: ambitious, Wellesley graduate, daughter, Democrat, single. Ten years later not one of those things turned up on my list: journalist, feminist, New Yorker, divorced, funny. Today not one of those five things turns up on my list: writer, director, mother, sister, happy."

That was more than 17 years ago. It would be nice to know what the five things would have been in, say, 2010, but they surely would have included aging, the subject that comes to the fore in her later work, and probably there would have been some hint of her illness and her awareness of her mortality. She touches directly on aging and obliquely on mortality in "I Feel Bad About My Neck," "I Remember Nothing" and "The O Word" - the first being about the physical changes, none of them for the better, that affect all of us of both sexes as we grow older; the second about the irritating memory lapses to which we geriatrics are susceptible; the third simply about getting on in years, the "O Word" being, of course, "old."

In her life as in many others, the trend can be tracked from young, ambitious and unencumbered, to middle-aged, settled and responsible, to aging, regretful, resigned. Gottlieb, who is now more than 10 years older than Ephron was when she died, seems to have made his selections for this volume with the last of these outlooks in mind, though probably he did so instinctively rather than deliberately. Whatever the explanation for it, "The Most of Nora Ephron" tends to emphasize the serious side of her and play down the funny side, just as she eliminated "funny" after her second round of listmaking. This is fine, but it means that this book, in which, according to its dust wrapper, "everything you could possibly want from Nora Ephron is here," is by no means as inclusive as readers who know her work well would expect. Most notably and grievously, it reduces to little more than token representation her first three books of journalism: "Wallflower at the Orgy" (1970), "Crazy Salad" (1975) and "Scribble Scribble" (1978).

No doubt my bias is strongly influenced by my own long career in journalism and my fondness for mordant wit, but I think these are Ephron's best books. Nearly a decade ago, writing about "Crazy Salad" in my Second Reading series, I said: "At the time Ephron started movie work, I thought that Hollywood's gain was journalism's loss, and a rereading of all three of her collections leaves me even more firmly convinced of that." Nothing in "The Most of Nora Ephron" persuades me that I was wrong. Everything in this volume is all good for the simple reason that she wrote it, but too much is missing and some of what's included is less durable than Gottlieb obviously believes it to be. Though Ephron's wit is much on display in the 24 blog posts herein published, their evanescence is palpable, and by the same token the absence of some of the best pieces from those first three books is equally so.

Thus we do have her withering piece from "Scribble Scribble" about Dorothy Schiff, owner of the New York Post for part of Ephron's stay there, but we do not have "People Magazine," "Brendan Gill and The New Yorker" or "The Sperling Breakfast," each a small classic, from the same book. We have "The Food Establishment" from "Wallflower at the Orgy" but not "The Fountainhead Revisited" or "A Rhinestone in a Trash Can and 'The Love Machine' Phenomenon of J. Susann," from the same. We have "A Few Words About Breasts" and "Dorothy Parker" from "Crazy Salad," but not "Rose Mary Woods - the Lady or the Tiger" or "Crazy Ladies II," her remarkably empathetic snapshot of Martha Mitchell, also from the same.  Yes, I know, a book can only be so long, and choices have to be made. Some good choices went into the making of "The Most of Nora Ephron," and people who love her work will want to have it on their shelves. But be grateful that those first three books are all still in print, because when it comes to Nora Ephron, they are the sine qua non.

Lincoln's Gettysburg Address: Discussions, Full Text And Analysis

 
150 Years After The Gettysburg Address, Is Government By The People In Trouble?
(By Drew Gilpin Faust, Washington Post, 24 November 2013)

One of the most remarkable aspects of the Civil War is that it was fought at all. Even when sectional discord culminated in Southern secession in the winter of 1860-61, many Americans remained confident that military conflict could be avoided. Sen. James Chesnut of South Carolina dismissed talk of war by pledging to drink whatever blood might be shed. And in his March 1861 inaugural address, Abraham Lincoln insisted that “there needs to be no bloodshed or violence; and there shall be none, unless it be forced upon the national authority.”  Even those who did expect armed conflict thought hostilities would be brief and losses minor.  At the war’s outset, it seemed almost unimaginable that the North would be willing to fight so long and hard to keep the Southern states in the Union. Confederate military strategy in fact came to rest on an assumption that the North would not sustain its commitment to war in the face of escalating sacrifice. Gen. Robert E. Lee’s search for the decisive battle, his invasions of the North, the Confederacy’s eager anticipation of Lincoln’s electoral defeat in 1864 — all represented a costly and fatal underestimation of the commitment of some 2.2 million Northern soldiers, overwhelmingly volunteers, to the preservation of the Union.

With the inevitability of hindsight, with the nation preserved and projected toward the global leadership we have come to take for granted, we rarely consider that the North might in the mid-19th century have made a different decision, might have let the South secede or perhaps have negotiated a peace in the face of Confederate military successes during the war’s early years. And those millions of Yankee soldiers might have proved unwilling to fight.  Today our military includes only 1 percent of our population. Could we mobilize the equivalent of the Union army? In 1860, the Northern states had 22 million inhabitants; 10 percent of them served; more than 360,000 of them died, offering what Lincoln called “the last full measure of devotion.” Would 31 million of our 314 million inhabitants be willing to risk their lives for the nation today? What cause, what circumstances, would motivate them?

Except during Lee’s two brief incursions into the North, Union soldiers of the 1860s were not fending off an invasion or protecting their homes and firesides. Many came from towns and farms at great distances from the Confederacy, from Wisconsin or Michigan or Vermont or Maine. But they came to understand themselves as fighting for something at once more abstract, more selfless, more transcendent and more powerful than their self-interest. We should, to borrow Lincoln’s words uttered 150 years ago this Tuesday, “never forget what they did” and why they did it. Never forget the still-unfinished work they so nobly advanced. Never forget why they chose — and yes, it was for almost all a choice — to fight.  And we must not forget why that leaves a legacy of responsibility for all of us.

I often wonder if the North would have fought, if the ranks would have filled, if there had been a different president — one less able to articulate the war’s meaning and purposes with an eloquence that grew alongside the war’s costs and sacrifices. The song “We Are Coming Father Abra’am, 300,000 More,” popularized after Lincoln’s appeal for additional volunteers in 1862, captures the way in which his call upon the people came to represent the national imperative in the public mind. Could his predecessor in the White House, James Buchanan, have mobilized 2.2 million men?

Lincoln’s rhetoric and, more important, the ideals that rhetoric embodied evolved from the first inaugural address, with its invocation of ties that bound the young nation together in memory and hope, to the Gettysburg Address, with its definition of the war’s true meaning and the nation’s fundamental identity and mission. His language offered to lift Americans above what they might otherwise understand themselves to be, to invest them in the work of saving a nation that was, as he put it in his annual message to Congress in 1862, “the last, best hope of Earth.”  In the course of the war, Lincoln succeeded in defining the American project — what it was, why it mattered and what it required of citizens. As efforts to establish and sustain democracy failed around the world, as Europe turned back toward despotism after the failed revolutions of 1848, government conceived in liberty seemed increasingly imperiled. America’s war was not just about America.

Secession, Lincoln proclaimed in a message to Congress in July 1861, threatened “more than the fate of these United States.” It involved “the whole family of man” in its challenge to “a government of the people, by the same people.” What was at risk was “free government upon the Earth.”  The war, he went on, was “essentially a people’s contest. On the side of the Union, it is a struggle for maintaining in the world that form and substance of government whose leading object is to elevate the condition of men — to lift artificial weights from all shoulders — to clear the paths of laudable pursuit for all, to afford all an unfettered start, and a fair chance, in the race of life. . . . I am most happy to believe that the plain people understand and appreciate this.” 

And Lincoln made sure they did. Here in the first summer of the war were the germs of the ideas and ideals that 28 months and tens of thousands of Union deaths later became the Gettysburg Address. But by the fall of 1863, those deaths had brought something new to Lincoln’s understanding and his language. The terrible reality of war’s suffering had come to require that the nation for which so much had been sacrificed be more than just a promise or a hope, even a “last, best hope.” At Gettysburg, Lincoln demanded that the uncountable number of lost lives be rendered purposeful, worth their expense of blood and pain. Now, in 1863, he chose active words such as “dedicate” and “resolve,” words far more compelling than “hope.”  There must be a benefit, he insisted, for the price already paid, a benefit commensurate with the war’s terrible cost, a cost that at the outset no one had expected.

With the sense of obligation in his juxtaposition of three uses of “shall” — “shall not have died in vain,” “shall have a new birth of freedom,” “shall not perish” — Lincoln conveyed the significance of the expanded purposes of the war. It was no longer just about the union, about national survival; it was now about a particular sort of union, a better, freer nation than those in 1861 could have imagined. The struggle had not begun as a war to end slavery; only gradually did emancipation emerge as a purpose of Union victory.  Lincoln urged his audience at Gettysburg to persevere in the “unfinished work” before them. Another fearful year and a half of war lay ahead, with yet again as many deaths to come. But Appomattox would not end the work he envisioned. It was the obligations of freedom and nationhood as well as those of war that he urged upon his audience. Seizing the full meaning of liberty and equality still lay ahead.

These are responsibilities that belong to us still. Yet on the 150th anniversary of Lincoln’s immortal speech, where is our stewardship of that legacy? After beginning a new fiscal year by shutting down the government, we are far from modeling to the world why our — or any — democracy should be viewed as the “best hope” for humankind. The world sees in the United States the rapid growth of inequality; the erosion of educational opportunity and social mobility that “afford all an unfettered start, and a fair chance, in the race of life”; the weakening of voting rights hard-won over a century of post-Reconstruction struggle.  Is this the nation, the “proposition” to which Lincoln demanded we be dedicated? We can never forget what brave Americans did at Gettysburg, and at Shiloh and Antietam and the Wilderness and on so many battlefields since. But is it not now altogether fitting and proper that we heed Lincoln’s exhortation and rededicate ourselves to honoring those dead by ensuring that government of the people, by the people, for the people, shall not perish from the Earth?
 

Drew Gilpin Faust, the president of Harvard University, is a historian and author of “This Republic of Suffering: Death and the American Civil War.”




Retraction For Our 1863 Editorial Calling Gettysburg Address 'Silly Remarks'
(By Patriot-News Editorial Board The Patriot-News& Matt Zencey, November 17, 2013)

The Patriot & Union devoted all of one paragraph to Lincoln's Gettysburg Address: "We pass over the silly remarks of the President. For the credit of the nation we are willing that the veil of oblivion shall be dropped over them, and that they shall be no more repeated or thought of."  Seven score and ten years ago, the forefathers of this media institution brought forth to its audience a judgment so flawed, so tainted by hubris, so lacking in the perspective history would bring, that it cannot remain unaddressed in our archives.
We write today in reconsideration of “The Gettysburg Address,” delivered by then-President Abraham Lincoln in the midst of the greatest conflict seen on American soil. Our predecessors, perhaps under the influence of partisanship, or of strong drink, as was common in the profession at the time, called President Lincoln’s words “silly remarks,” deserving “a veil of oblivion,” apparently believing it an indifferent and altogether ordinary message, unremarkable in eloquence and uninspiring in its brevity.

In the fullness of time, we have come to a different conclusion. No mere utterance, then or now, could do justice to the soaring heights of language Mr. Lincoln reached that day. By today’s words alone, we cannot exalt, we cannot hallow, we cannot venerate this sacred text, for a grateful nation long ago came to view those words with reverence, without guidance from this chagrined member of the mainstream media.  The world will little note nor long remember our emendation of this institution’s record – but we must do as conscience demands:
In the editorial about President Abraham Lincoln’s speech delivered Nov. 19, 1863, in Gettysburg, the Patriot & Union failed to recognize its momentous importance, timeless eloquence, and lasting significance. The Patriot-News regrets the error.

  

A Voice From The Dead
(Patriot & Union Editorial, Tuesday, Nov. 24, 1863)

We have read the oration of Mr. Everett. We have read the little speeches of President Lincoln, as reported for and published in his party press, and  we have read the remarks of the Hon. Secretary of State, Wm. H. Seward, all delivered on the occasion of dedicating the National Cemetery, a plot of ground set apart for the burial of the dead who fell at Gettysburg in the memorable strife which occurred there between the forces of the Federal Government and the troops of the Confederacy of seceded States. To say of Mr. Everett's oration that it rose to the height which the occasion demanded, or to say of the President's remarks that they fell below our expectations, would be alike false. Neither the orator nor the jester surprised or deceived us. Whatever may be Mr. Everett's failings he does not lack sense - whatever may be the President's virtues, he does not possess sense. Mr. Everett failed as an orator, because the occasion was a mockery, and he knew it, and the President succeeded, because he acted naturally, without sense and without constraint, in a panorama which was gotten up more for his benefit and the benefit of his party than for the glory of the nation and the honor of the dead. 
We can readily conceive that the thousands who went there went as mourners, to view the burial place of their dead, to consecrate, so far as human agency could, the ground in which the slain heroes of the nation, standing in relationship to them of fathers, husbands, brothers, or connected by even remoter ties of marriage or consanguinity, were to be interred. To them the occasion was solemn; with them the motive was honest, earnest and honorable. But how was it with the chief actors in the pageant, who had no dead buried, or to be buried there; from none of whose loins had sprung a solitary hero, living or dead, of this war which was  begotten of their fanaticism and has been ruled by their whims?

They stood there, upon that ground, not with hearts stricken with grief or elated by ideas of true glory, but coldly calculating the political advantages  which might be derived from the solemn ceremonies of the dedication. 
We will not include in this category of heartless men the orator of the day;  but evidently he was paralyzed by the knowledge that he was surrounded  by unfeeling, mercenary men, ready to sacrifice their country and the liberties of their countrymen for the base purpose of retaining power and accumulating wealth. Hi oration was therefore cold, insipid, unworthy the occasion and the man. 

We pass over the silly remarks of the President. For the credit of the nation  we are willing that the veil of oblivion shall be dropped over them and that they shall be no more repeated or thought of.
But the Secretary of State is a man of note. He it was who first fulminated the doctrine of the irrepressible conflict; and on the battle field and burial ground of Gettysburg he did not hesitate to re-open the bleeding wound, and proclaim anew the fearful doctrine that we are fighting all these bloody  battles, which have drenched our land in gore, to upset the Constitution, emancipate the negro and bind the white man in the chains of despotism.

On that ground which should have been sacred from the pollution of politics, even the highest magnate in the land, next to the President himself, did not hesitate to proclaim the political policy and fixed purpose of the administration; a policy which if adhered to will require more ground than Gettysburg to hold our dead, and which must end in the ruin of the nation. The dead of Gettysburg will speak from their tombs; they will raise their voices against this great wickedness and implore our rulers to discard from their councils the folly which is destroying us, and return to the wise doctrines of the Fathers, to the pleadings of Christianity, to the compromises of the Constitution, which can alone save us. Let our rulers hearken to the dead, if they will not to the living - for from every tomb  which covers a dead soldier, if they listen attentively they will hear a solemn sound invoking them to renounce partisanship for patriotism, and to save the country from the misery and desolation which, under their present policy, is inevitable.



  

The Gettysburg Address
(By Abraham Lincoln, Gettysburg, Pennsylvania, November 19, 1863)

On June 1, 1865, Senator Charles Sumner referred to the most famous speech ever given by President Abraham Lincoln. In his eulogy on the slain president, he called the Gettysburg Address a "monumental act." He said Lincoln was mistaken that "the world will little note, nor long remember what we say here." Rather, the Bostonian remarked, "The world noted at once what he said, and will never cease to remember it. The battle itself was less important than the speech."

There are five known copies of the speech in Lincoln's handwriting, each with a slightly different text, and named for the people who first received them: Nicolay, Hay, Everett, Bancroft and Bliss. Two copies apparently were written before delivering the speech; the remaining ones were produced months later for soldier benefit events. Despite widely-circulated stories to the contrary, the president did not dash off a copy aboard a train to Gettysburg. Lincoln carefully prepared his major speeches in advance; his steady, even script in every manuscript is consistent with a firm writing surface, not the notoriously bumpy Civil War-era trains. Additional versions of the speech appeared in newspapers of the era, feeding modern-day confusion about the authoritative text.

Bliss Copy
Ever since Lincoln wrote it in 1864, this version has been the most often reproduced, notably on the walls of the Lincoln Memorial in Washington. It is named after Colonel Alexander Bliss, stepson of historian George Bancroft. Bancroft asked President Lincoln for a copy to use as a fundraiser for soldiers (see "Bancroft Copy" below). However, because Lincoln wrote on both sides of the paper, the speech could not be reprinted, so Lincoln made another copy at Bliss's request. It is the last known copy written by Lincoln and the only one signed and dated by him. Today it is on display at the Lincoln Room of the White House.

Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.

But, in a larger sense, we can not dedicate -- we can not consecrate -- we can not hallow -- this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us -- that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion -- that we here highly resolve that these dead shall not have died in vain -- that this nation, under God, shall have a new birth of freedom -- and that government of the people, by the people, for the people, shall not perish from the earth.

Abraham Lincoln
November 19, 1863

Nicolay Copy
Named for John G. Nicolay, President Lincoln's personal secretary, this is considered the "first draft" of the speech, begun in Washington on White house stationery. The second page is writen on different paper stock, indicating it was finished in Gettysburg before the cemetery dedication began. Lincoln gave this draft to Nicolay, who went to Gettysburg with Lincoln and witnessed the speech. The Library of Congress owns this manuscript.

Four score and seven years ago our fathers brought forth, upon this continent, a new nation, conceived in liberty, and dedicated to the proposition that “all men are created equal.”
Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived, and so dedicated, can long endure. We are met on a great battle field of that war. We come to dedicate a portion of it, as a final resting place for those who died here, that the nation might live. This we may, in all propriety do.

But, in a larger sense, we can not dedicate – we can not consecrate – we can not hallow, this ground – The brave men, living and dead, who struggled here, have hallowed it, far above our poor power to add or detract. The world will little note, nor long remember what we say here; while it can never forget what they did here.
It is rather for us, the living, we here be dedicated to the great task remaining before us – that, from these honored dead we take increased devotion to that cause for which they here, gave the last full measure of devotion – that we here highly resolve these dead shall not have died in vain; that the nation, shall have a new birth of freedom, and that government of the people, by the people, for the people, shall not perish from the earth.


Hay Copy
Believed to be the second draft of the speech, President Lincoln gave this copy to John Hay, a White House assistant. Hay accompanied Lincoln to Gettysburg and briefly referred to the speech in his diary: "the President, in a fine, free way, with more grace than is his wont, said his half dozen words of consecration." The Hay copy, which includes Lincoln's handwritten changes, also is owned by the Library of Congress.

Four score and seven years ago our fathers brought forth, upon this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived, and so dedicated, can long endure. We are met here on a great battlefield of that war. We have come to dedicate a portion of it, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.

But in a larger sense, we can not dedicate — we can not consecrate — we can not hallow — this ground. The brave men, living and dead, who struggled here, have consecrated it far above our poor power to add or detract. The world will little note, nor long remember, what we say here, but can never forget what they did here.
It is for us, the living, rather to be dedicated here to the unfinished work which they have, thus far, so nobly carried on. It is rather for us to be here dedicated to the great task remaining before us — that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion – that we here highly resolve that these dead shall not have died in vain; that this nation shall have a new birth of freedom; and that this government of the people, by the people, for the people, shall not perish from the earth.


Everett Copy
Edward Everett, the chief speaker at the Gettysburg cemetery dedication, clearly was impressed by Lincoln's remarks and wrote to him the next day saying, "I should be glad, if I could flatter myself that I came as near to the central idea of the occasion, in two hours, as you did in two minutes." In 1864 Everett asked Lincoln for a copy of the speech to benefit Union soldiers, making it the third manuscript copy. Eventually the state of Illinois acquired it, where it's preserved at the Abraham Lincoln Presidential Library and Museum.

Four score and seven years ago our fathers brought forth, upon this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived, and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting-place for those who here gave their lives, that that nation might live. It is altogether fitting and proper that we should do this.

But, in a larger sense, we can not dedicate, we can not consecrate – we can not hallow – this ground. The brave men, living and dead, who struggled here, have consecrated it far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here.
It is for us, the living, rather, to be dedicated here to the unfinished work which they who fought here, have, thus far, so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us – that from these honored dead we take increased devotion to that cause for which they here gave the last full measure of devotion – that we here highly resolve that these dead shall not have died in vain – that this nation, under God, shall have a new birth of freedom – and that government of the people, by the people, for the people, shall not perish from the earth.


Bancroft Copy
As noted above, historian George Bancroft asked President Lincoln for a copy to use as a fundraiser for soldiers. When Lincoln sent his copy on February 29, 1864, he used both sides of the paper, rendering the manuscript useless for lithographic engraving. So Bancroft kept this copy and Lincoln had to produce an additional one (Bliss Copy). The Bancroft copy is now owned by Cornell University.

Four score and seven years ago our fathers brought forth, on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived, and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting-place for those who here gave their lives, that that nation might live. It is altogether fitting and proper that we should do this.

But, in a larger sense, we can not dedicate, we can not consecrate – we can not hallow – this ground. The brave men, living and dead, who struggled here, have consecrated it far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us – that from these honored dead we take increased devotion to that cause for which they here gave the last full measure of devotion - that we here highly resolve that these dead shall not have died in vain – that this nation, under God, shall have a new birth of freedom, and that government of the people, by the people, for the people, shall not perish from the earth.
Source for all versions: Collected Works of Abraham Lincoln, edited by Roy P. Basler and others.

Sunday, August 25, 2013

Killing English

‘Literally’ Bothers Me, Too. But It’s Not Literally Wrong.
(By Bill Walsh, Washington Post, 22 August 2013)

‘We did it guys, we finally killed English.”  With that subject line and a screen shot of Google’s definition of “literally,” a Reddit user concerned about the language (if not about the correct use of commas) sparked a figurative firestorm this month.  The definition in question:

Literally, Adverb
1. In a literal manner or sense; exactly.
2. Used to acknowledge that something is not literally true but is used for emphasis or to express strong feeling.

To read some of the reaction to the second meaning, you’d think the language gods must be crazy. On Aug. 11, 2013, your head could not literally explode, but on Aug. 12 it could.  I can relate to the feelings behind that Reddit posting, having insisted on the original meaning in my three decades as a copy editor and in my three books on language. But first let me count the ways my would-be fellow stickler, and the ensuing consternation, went wrong.

In fact, the only thing new about that meaning was that somebody had posted something on Reddit. No matter: English sometimes defies logic, as “literally” proves, but it has nothing on the phenomenon known as “going viral.” The Reddit post spawned Twitter mentions and blog entries and newspaper articles. Within days, the Guardian was calling this nondevelopment “literally the biggest semantics story of the week.”  The “news” that the Oxford English Dictionary also notes the reviled usage made the story especially big in Britain. The OED “has revealed that it has included the erroneous use of the word ‘literally’ after the usage became popular,” the Daily Mail reported, as though the dictionary’s contents had previously been kept secret. A headline on that article was just as comical: “Definition added in September 2011 edition, but unnoticed until this week.”  It’s hard to quibble with the “unnoticed” part, given the reaction, but 2011? A blog entry on Oxford’s Web site does mention a 2011 online definition that reflects an update on “literally,” but it clarifies that the disputed meaning was first acknowledged a little earlier. As in 1903. On this side of the Atlantic, Merriam-Webster says it followed suit in 1909. 
The timing isn’t the only detail that outraged observers got wrong. They misunderstood the role that dictionaries play. When Oxford or Merriam-Webster lists a word or a definition, it isn’t conferring a blessing of correctness. It’s simply recording the widespread use of that word or definition. If you’re hearing the nonliteral “literally” or “irregardless” or “ain’t” enough to annoy you, that’s a case for including them in dictionaries, not against it.  As linguists and lexicographers and even copy editors pointed out amid the “literally” outrage, a usage that is widespread and established enough to land in dictionaries isn’t the only argument for letting the word evolve. Good writers have used “literally” nonliterally as far back as the 18th century. Charles Dickens used it. So did James Joyce, Louisa May Alcott, F. Scott Fitzgerald and Vladimir Nabokov.

The word can mean both its original meaning and the opposite, which might seem odd, but so can verbs such as “sanction” and “dust.” Its secondary meaning makes for hyperbole, but so do many instances of “really” and “truly” and “completely” and “totally” that don’t seem to bother anybody.  And it’s almost always clear whether the word is being used in its original sense or, as that Google definition puts it, “for emphasis or to express strong feeling.”  Still, that Reddit post wasn’t written in a vacuum. The new definition is well established, but so is a strong disdain for it. The usage has become a pop-culture punch line. It’s fodder for comic strips and stand-up comics. Vice President Biden makes headlines with his fondness for it. The usage fills a chapter of my new book, “Yes, I Could Care Less: How to Be a Language Snob Without Being a Jerk.” However persuasive the historical and linguistic justifications, there’s something uniquely absurd about using the one word that most clearly means “I am not making this up” when you are, in fact, making something up.

Even dispassionate observers draw some lines between what’s technically defensible and what’s preferable. Several of the linguists, lexicographers and other scholarly types who rolled their eyes (perhaps even literally) at what one called this “tempest in a teapot” had previously acknowledged no great love for the secondary meaning. John McIntyre, a longtime Baltimore Sun editor and passionately dispassionate language blogger: “Let the record show that, for my part, I prefer to use literally in its literal sense.” Ben Zimmer, a language writer and former dictionary editor: “Still, that doesn’t mean I think non-literal literally is fine and dandy — I wouldn’t use it myself, and when I catch others using it I occasionally cringe.” 
Some of us cringe more than occasionally. We have a heightened sensitivity to the way words are used. We are the language snobs. The sticklers. The peevers. I found perhaps the one calling where my neurosis could be used constructively. It’s probably not normal to write “obsessive-compulsive” on a job application. But I did that in applying to join my college newspaper.  Some of us got this way because nuns assaulted us with rulers or because our parents corrected us to “may I” every time we said “can I,” or “lie down” every time we said “lay down.” Neither of those things happened to me — I just had a dad with a knack for spelling and a mom who did and does enjoy pouncing on malapropisms. I was raised, not “reared.”

I can’t vouch for all language peevers. There is no Peevers Anonymous. Perhaps there should be. (“The meetings literally last forever, but we could care less!”) But too many of us are caught up in rules-that-aren’t, striving to stamp out the passive voice and omit needless words in the name of Strunk and White, without understanding why passive voice is often appropriate or which words are truly needless.  I would never point it out directly, because I am not a jerk, but I hear from fans of my books who, while professing agreement with my rants, commit one or two of my most petted peeves. And then there’s Muphry’s — not Murphy’s — Law: It states that a piece of writing about usage errors will inevitably contain a usage error. (When you find the error or errors in this article, congratulations.)
I try to be an enlightened stickler. I recognize many of the so-called rules for the nonsense they are, and I fight for the right to split infinitives, end sentences with prepositions, begin sentences with conjunctions and use “hopefully” in that way that a lot of people hate. This occasionally puts me in a place where I’m meta-peeving: Sometimes when I spot an awkwardly unsplit infinitive, I know I’m looking at the work of a misguided fellow stickler. If I find out the stickler is the writer, I’m relieved. But it’s usually an editor, and that makes me sad. First, do no harm.

Peevers are sometimes misguided, but we’re generally harmless. Our exasperated sighs are likely to be part of a role we’re playing — props, in a sense, like a fop’s bow tie and fedora.  We know deep down that people aren’t doing things just to annoy us, even if every trend the linguists call inexorable brings to mind an infuriating counterexample. (If the unfortunate spelling “email” truly reflects a mass hatred of hyphens and love of onewordification, then why do people turn the perfectly good word “aha” into “a-ha” and “ah-ha” and “ah-hah”? If people choose the “bandana” spelling over the vastly superior “bandanna” because of a similar quest for brevity, why does “traveling” so often get turned into the British “travelling”?)
Last month on Slate, The Washington Post’s sister (for now) Web site, a brave writer named Dana Stevens wrote a 1,400-word rant against flip-flops. It resonated with me, and not only because I share Stevens’s feelings about flip-flops. How is using “literally” nonliterally like wearing shower-and-beach footwear outside its natural habitat? Well, Stevens threw in some nods to function, citing potential arch-support problems in much the same way that sticklers cite potential ambiguity, but it was clear that she was practicing peevery, not podiatry. In language as in fashion, outside the stylebooks that publications employ and the dress codes that some institutions enforce, there is no official list of rules. And as the comments made clear in the case of flip-flops, there will be those who do the things that annoy us and those who don’t.

For those who find cultural criticism, whether of language or of dress, unseemly, there’s good news: Practically nobody listens to such critics. Language and fashion will go where they go, and Dana Stevens articles and Bill Walsh books are more likely to reinforce opinions than to change them. Whether you mutter about anal-retentive authoritarians who should mind their own business, or you sniff about slobs who should pay more attention and have some respect for tradition, ultimately both sides are likely to coexist peacefully. At the end of the day, to use a cliche I’ve railed against, it’s important to separate style from substance.  So don’t be a jerk.

 
Oxford Dictionaries Adds ‘Twerk,’ ‘Selfie,’ And Other Words That Make Me Vom
(By Michael Dirda, Washington Post, 23 August 2013)


Can I speak srsly here? Style asked me to look over a list of the latest words, such as that one (which simply means “seriously”), that were added Wednesday to a resource called Oxford Dictionaries Online. Apparently the ODO offers such linguist updates every quarter, being a dictionary of the moment, a lexicon of contemporary usage. Nearly all the new words listed are current slang employed by young people and digital junkies, usually the same thing.  This is certainly not my world. FOMO, for example, means “fear of missing out: anxiety that an exciting or interesting event may be happening elsewhere, often aroused by posts seen on a social media website.” I can confidently say that I have never experienced FOMO in quite this form, since I don’t participate in any social media. Still, like most people, I know that the real party will always be happening in the next room. 
Back in my day, the revered 1960s — cue “Where have all the flowers gone?” — we never trusted anyone over 30; these days, it would be unseemly, even pathetic for anyone older than 30 to use a term like “squee” or “twerk” or “vom.” Or even to be aware of them and their meanings. I certainly wasn’t. Such words are useful — all words are useful — but most of this vogue lingo is wholly restricted to a certain demographic (kids with smartphones) and a certain context (instant messaging and Twitter).
“Squee,” by the way, is an exclamation of “great delight or excitement.” According to the ODO, it originated from “squeal.” No doubt, but I think the screech of a squeegee on a windshield might also play its part. “Twerk” means to “dance to popular music in a sexually provocative manner involving thrusting hip movements and a low squatting stance.” I’m told by an informed source — my youngest son — that it is associated chiefly with the actress Miley Cyrus. It would be wildly inappropriate for a gentleman my age to recognize, let alone employ, this word. I’ll stick with “bump and grind.” Vom is simply a shortened form of vomit. It saves two characters when twittering. Or tweeting. Whatever. 
Like so much digital terminology, many of these new words are ugly. Ever since the computer age got going, it has gravitated to repulsive-sounding terminology, starting with all forms of “blog.” Writer, author, even journalist: All these sound like admirable professions. But blogger. Yech. I know the term’s origin — Web log — and I understand how people naturally gravitate to contractions, but the end result is still repulsive. Don’t even get me started on “the blogosphere.”
Unfortunately, rebarbative lingo seems here to stay: Jorts are defined as “shorts made of denim fabric” and presumably arose by eliding “jeans” and “shorts.” I imagine that “Klaatu barada nikto” is the international clothing chain behind “Jorts.” (My little joke: Think “The Day the Earth Stood Still.”) Widely used already, a MOOC is “a course of study made available over the Internet without charge to a very large number of people.” This phenomenon is clearly here to stay, but “I’m taking a MOOC” sounds disgustingly lavatorial. A “selfie” is a photograph of oneself, typically “with a smartphone or webcam and uploaded to a social media website.” When I first glanced at the list, I thought it said “selkie,” and I was impressed that Scottish merpeople were now on the cutting edge. 
A few of this quarter’s new words seem not at all new. Or maybe they’ve only recently made their way to the dreaming spires of Oxford. A “blondie” — meaning, in dictionary language, “a small square of dense, pale-coloured cake, typically of a butterscotch or vanilla flavour” — has surely been around as long as its darker brother, the brownie. Didn’t actress Jean Seberg have a “pixie cut” 50 years ago in “Breathless”? It can’t be a new word, can it? “Balayage,” a particular way of highlighting the hair, seems like something that a French hairdresser would toss around and nobody else. “Space tourism” simply joins two familiar words together in a new context. It’s a fresh concept but hardly a new word. Same goes for “street food.”
I’ve read that the term “omnishambles” derives from a British television show and was voted the most popular new word of last year. (Who does this voting, and where do they cast their ballots?) “Omnishambles” is defined as “a situation that has been comprehensively mismanaged, characterized by a string of blunders and miscalculations.” Other than being an apt summary of my life, I don’t see how this word differs from plain old “shambles.” Which also describes my house.  It’s a real pity that former federal prosecutor Jim Letten’s recent use of “hobbit” — to mean roughly sleazebag or scum — just missed this quarter’s cutoff time. I hope it catches on. It comes trippingly off the tongue as a term of derision. (Sorry, Bilbo.) I’m sure it’ll appear next quarter. In truth, it seems about as hard to get into the ODO as it does to get into Dr. Nick’s Hollywood Upstairs Medical College. 
Still, of all the new words added to the Oxford Dictionaries Online, perhaps the most chilling is the acronym “TL;DR.” I sometimes fear that everything I value in the way of literature and scholarship will be casually dismissed with those letters: “Too Long; Didn’t Read.” Sorry, Leo. Sorry, Marcel.  One last observation: Most of these new words and acronyms are probably never meant to be spoken by actual human beings. They live and breathe only on the tiny screen. There, in the strange telegraphese of the smartphone, they quickly convey information and shrill emotion through typographic grunts and squeals. Or, rather, squees. No doubt they have their place, but let them stay there.

 
Weighing In On ‘Literally,’ But Figuratively, Of Course
(By Gene Weingarten, Washington Post, September 6, 2013)
To the Nobel Prize committee: 
I am writing to suggest that you make your first posthumous award in literature, and that it go to Ambrose Bierce, the 19th-century American satirist. I have always admired Bierce, but I do not write merely as a fan; I write to acquaint you with what may well be the greatest feat of long-range prognostication in the history of the written word.  While reading Bierce essays recently, my friend Jack Shafer discovered the following passage: “Nothing is more certain than that within a few years the word ‘literally’ will mean ‘figuratively.’ And this because journalists, with a greater desire to write forcibly than ability to do so, habitually use it in that sense.” (He was talking about this sort of imbecilic formulation: “I literally died of laughter.”) 
Bierce wrote this prescient passage in 1871. As you may be aware from recent publicity, the Oxford English Dictionary — arbiter of all things English — has finally, inevitably, sanctioned the use of “literally” to mean its precise opposite. It is a hapless surrender to, figuratively, eons of careless misuse.  (Note my correct use of the verb “sanction,” which has also been corrupted over the years to mean “to outlaw,” its precise opposite; the OED has been complicit in permitting this, as well. And don’t get me started on “imply” and “infer,” which most dictionaries now say can be used interchangeably, which is no different from allowing “pitch” to be synonymous with “catch.” This, too, was occasioned by sustained years of misuse.)
I am not a language tyrant, nor do I disrespect dictionary editors, to whom falls the distasteful duty of reading and listening to what is being widely uttered and written and adding these things to the lexicon merely on the basis of ubiquity. So, although I may cringe at “blogosphere” and “webinar” and, sigh, “whatevs,” I do not protest their appearance in dictionaries. But one must draw the line somewhere, and to me, that line is crossed when antonyms are certified for use as synonyms. It is rewarding vapidity. It is celebrating vapidity. It would be like your giving the Nobel Prize in medicine to the president of the Hair Club for Men.  
(I should mention that defenders of “literally” as “figuratively” note that it has been used that way once or twice by people with serious writing chops, such as Charles Dickens and Jane Austen. That no more makes it right or acceptable than it makes it right for you to annihilate 100,000 people with a bomb just because Harry Truman once did it.)  So, my point is that if you posthumously give Ambrose Bierce the 2013 Nobel Prize in Literature, you will be sending an important message to lexicographers worldwide.
Finally, I know that the Nobel committee tends to reward bodies of work; rest assured, Bierce successfully predicted much more than the trashing of “literally.” I’ll leave you with one more bit. Upon departing on horseback for Mexico in 1913, at the age of 71, to bear witness to Pancho Villa’s revolution, Bierce wrote this to a niece: “Good-bye. If you hear of my being stood up against a Mexican stone wall and shot to rags please know that I think that a pretty good way to depart his life. It beats old age, disease, or falling down the cellar stairs. To be a Gringo in Mexico — ah, that is euthanasia!”   It was the last anyone heard of him. The old gringo’s body has never been found.
 

The Period Is Pissed.
When Did Our Plainest Punctuation Mark Become So Aggressive?
(By Ben Crair, the New Republic, 25 November 2013)

The period was always the humblest of punctuation marks. Recently, however, it’s started getting angry. I’ve noticed it in my text messages and online chats, where people use the period not simply to conclude a sentence, but to announce “I am not happy about the sentence I just concluded.”  Say you find yourself limping to the finish of a wearing workday. You text your girlfriend: “I know we made a reservation for your bday tonight but wouldn’t it be more romantic if we ate in instead?” If she replies,

we could do that
we could do that
Then you can ring up Papa John’s and order something special. But if she replies,

we could do that.
we could do that. 
Then you should probably drink a cup of coffee: You’re either going out or you’re eating Papa John’s alone.

This is an unlikely heel turn in linguistics. In most written language, the period is a neutral way to mark a pause or complete a thought; but digital communications are turning it into something more aggressive. “Not long ago, my 17-year-old son noted that many of my texts to him seemed excessively assertive or even harsh, because I routinely used a period at the end,” Mark Liberman, a professor of linguistics at the University of Pennsylvania, told me by email. How and why did the period get so pissed off?

It might be feeling rejected. On text and instant message, punctuation marks have largely been replaced by the line break. I am much more likely to type two separate messages without punctuation:

sorry about last night
next time we can order little caesars
sorry about last night
next time we can order little caesars  

Than I am to send a single punctuated message: 

I’m sorry about last night. Next time we can order Little Caesars.
I’m sorry about last night. Next time we can order Little Caesars.
And, because it seems begrudging, I would never type:

sorry about last night.
next time we can order little caesars.
sorry about last night.
next time we can order little caesars.

“The unpunctuated, un-ended sentence is incredibly addicting,” said Choire Sicha, editor of the Awl. “I feel liberated to make statements without that emphasis, and like I'm continuing the conversation, even when I'm definitely not.”  Other people probably just find line breaks more efficient. An American University study of college students’ texting and instant messaging habits found they only used sentence-final punctuation 39 percent of the time in texts and 45 percent of the time in online chats. The percentages were even lower for “transmission-final punctuation”: 29 percent for texts and 35 percent for IMs. The same is likely true of Twitter, where the 140-character limit has made most punctuation seem dispensable.
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“In the world of texting and IMing … the default is to end just by stopping, with no punctuation mark at all,” Liberman wrote me. “In that situation, choosing to add a period also adds meaning because the reader(s) need to figure out why you did it. And what they infer, plausibly enough, is something like ‘This is final, this is the end of the discussion or at least the end of what I have to contribute to it.’”  It’s a remarkable innovation. The period was one of the first punctuation marks to enter written language as a way to indicate a pause, back when writing was used primarily as a record of (and script for) speech. Over time, as the written word gained autonomy from the spoken word, punctuation became a way to structure a text according to its own unique hierarchy and logic. While punctuation could still be used to create or suggest the rhythms of speech, only the exclamation point and question mark indicated anything like what an orator would call “tone.”

“Explicit representations of the emotional state of the person doing the writing are fairly rare,” said Keith Houston, author of Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks. Writers, linguists, and philosophers have occasionally tried to invent new punctuation marks to ease the difficulty of inflecting tone in writing.1 The “irony mark,” in particular, has been proposed many times. But none of these efforts has been successful.  Now, however, technology has led us to use written language more like speech—that is, in a real-time, back-and-forth between two or more people. “[P]eople are communicating like they are talking, but encoding that talk in writing,” Clay Shirky recently told Slate. This might help explain the rise of the line break: It allows people to more accurately emulate in writing the rhythm of speech. It has also confronted people with the problem of tone in writing, and they're trying to solve it with the familiar punctuation marks that the line break largely displaced.
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It's not just the period. Nearly everyone has struggled to figure out whether or not a received message is sarcastic. So people began using exclamation points almost as sincerity markers: “I really mean the sentence I just concluded!” (This is especially true of exclamation points used in sequence: “Are you being sarcastic?” “No!!!!!”) And as problems of tone kept arising on text and instant message, people turned to other punctuation marks on their keyboards rather than inventing new ones.2 The question mark has similarly outgrown its traditional purpose. I notice it more and more as a way to temper straightforward statements that might otherwise seem cocky, as in “I’m pretty sure he likes me?” The ellipsis, as Slate noted, has come to serve a whole range of purposes. I often see people using it as a passive-aggressive alternative to the period’s outright hostility—an invitation to the offender to guess at his mistake and remedy it. (“No.” shuts down the conversation; “No…” allows it to continue.)

Medial punctuation, like the comma and parentheses, has yet to take on emotional significance (at least as far as I've observed). And these newfangled, emotional uses of terminal punctuation haven't crossed over into more traditional, thoughtful writing. (I have used the period throughout this story, and I’m in a perfectly pleasant mood.) Perhaps one day it will, though, and our descendants will wonder why everyone used to be so angry. For posterity's sake, then, let my author bio be clear:  Ben Crair is a story editor at The New Republic!