ESPN dropped singer Hank Williams Jr.
from its Monday Night Football telecast after he publicly compared President
Obama to Adolf Hitler on Monday. Today, the Führer is universally recognized as
the embodiment of evil and the most convenient example of a truly terrible
human being. Before World War II, who was the rhetorical worst person in
history? The Egyptian Pharaoh, of
course. In the 18th, 19th, and early
20th centuries, many Americans and Europeans had a firmer grasp of the bible
than of the history of genocidal dictators. Orators in search of a universal
symbol for evil typically turned to figures like Judas Iscariot, Pontius
Pilate, or, most frequently, the Pharaoh of Exodus, who chose to endure 10
plagues rather than let the Hebrew people go.
In Common Sense, Thomas Paine wrote:
“No man was a warmer wisher for reconciliation than myself, before the fatal
nineteenth of April, 1775 [the date of the Lexington massacre], but the moment
the event of that day was made known, I rejected the hardened, sullen tempered
Pharaoh of England forever.” In the run-up to the Civil War, abolitionists
regularly referred to slaveholders as modern-day Pharaohs. Even after VE Day,
Pharaoh continued to pop up in the speeches of social reformers like Martin
Luther King Jr.
Generally speaking, hatred was more
local and short-lived before World War II. Nineteenth-century polemicists
occasionally used Napoleon Bonaparte as shorthand for an evil ruler—they
sometimes referred to “the little tyrant” rather than name the diminutive
conqueror—but those references were rare. There is little record of oratorical
comparisons of political leaders to Genghis Khan, Attila the Hun, or Ivan the
Terrible. Even Adolf Hitler himself once commented on history’s tendency to
forget the sins of bloody dictators. In 1939, the Führer asked rhetorically,
“Who still talks nowadays of the extermination of the Armenians?” (The
authenticity of this quote is disputed.)
King George III was also a major
whipping boy for American rhetoricians for decades after the Revolution. A good
example is Walt Whitman’s “A Boston Ballad,” in which he argued that the
Fugitive Slave Act, which required Northern States to return escaped slaves to
their owners, represented a return of the ghost of King George.
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