(Posted by Alex,
Neatorama Website, Dec 2008)
You see these opening logos every time you go to the movies,
but have you ever wondered who is the boy on the moon in the DreamWorks logo?
Or which mountain inspired the Paramount logo? Or who was the Columbia Torch
Lady? Let's find out:
1. DreamWorks SKG: Boy on the Moon
In 1994, director Steven Spielberg, Disney studio chairman
Jeffrey Katzenberg, and record producer David Geffen (yes, they make the
initial SKG on the bottom of the logo) got together to found a new studio
called DreamWorks. Spielberg wanted the
logo for DreamWorks to be reminiscent of Hollywood's golden age. The logo was
to be a computer generated image of a man on the moon, fishing, but Visual Effects
Supervisor Dennis Muren of Industrial Light and Magic, who has worked on many
of Spielberg's films, suggested that a hand-painted logo might look better.
Muren asked his friend, artist Robert Hunt to paint it. Hunt also sent along an alternative version
of the logo, which included a young boy on a crescent moon, fishing. Spielberg
liked this version better, and the rest is history. Oh, and that boy? It was
Hunt's son, William. The DreamWorks logo
that you see in the movies was made at ILM from paintings by Robert Hunt, in
collaboration with Kaleidoscope Films (designers of the original storyboards),
Dave Carson (director), and Clint Goldman (producer) at ILM.
2. Metro-Goldwyn-Mayer (MGM): Leo The Lion
In 1924, studio publicist Howard Dietz designed the
"Leo The Lion" logo for Samuel Goldwyn's Goldwyn Picture Corporation.
He based it on the athletic team of his alma mater Columbia University, the
Lions. When Goldwyn Pictures merged with Metro Pictures Corporation and Louis
B. Mayer Pictures, the newly formed MGM retained the logo. Since then, there have been five lions
playing the role of "Leo The Lion". The first was Slats, who graced
the openings of MGM's silent films from 1924 to 1928. The next lion, Jackie,
was the first MGM lion whose roar was heard by the audience. Though the movies
were silent, Jackie's famous growl-roar-growl sequence was played over the
phonograph as the logo appeared on screen. He was also the first lion to appear
in Technicolor in 1932. The third lion
and probably most famous was Tanner (though at the time Jackie was still used
concurrently for MGM's black and white films). After a brief use of an unnamed
(and very mane-y) fourth lion, MGM settled on Leo, which the studio has used
since 1957. The company motto "Ars
Gratia Artis" means "Art for Art's Sake." (Sources: MGM Media
Center | Wikipedia entry on "Leo The Lion")
3. 20th Century Fox: The Searchlight Logo
In 1935, Twentieth Century Pictures and Fox Film Company
(back then mainly a theater-chain company) merged to create Twentieth
Century-Fox Film Corporation (they later dropped the hyphen). The original Twentieth Century Pictures logo was created in
1933 by famed landscape artist Emil Kosa, Jr. After the merger, Kosa simply
replaced "Pictures, Inc." with "Fox" to make the current
logo. Besides this logo, Kosa was also famous for his matte painting of the
Statue of Liberty ruin at the end of the Planet of the Apes (1968) movie, and
others. Perhaps just as famous as the
logo is the "20th Century Fanfare", composed by Alfred Newman, then
musical director for United Artists.
4. Paramount: The Majestic Mountain
Paramount Pictures Corporation was founded in 1912 as Famous
Players Film Company by Adolph Zukor, and the theater moguls the Frohman
brothers, Daniel and Charles. The
Paramount "Majestic Mountain" logo was first drawn as a doodle by
W.W. Hodkinson during a meeting with Zukor, based on the Ben Lomond Mountain
from his childhood in Utah (the live action logo made later is probably Peru's
Artesonraju). It is the oldest surviving Hollywood film logo. The original logo has 24 stars, which
symbolized Paramount's then 24 contracted movie stars (it's now 22 stars,
though no one could tell me why they reduced the number of stars). The original
matte painting has also been replaced with a computer generated mountain and
stars.
5. Warner Bros.: The WB Shield
Warner Bros. (yes, that's legally "Bros." not
"Brothers") was founded by four Jewish brothers who emigrated from
Poland: Harry, Albert, Sam, and Jack Warner. Actually, those aren't the names
that they were born with. Harry was born "Hirsz," Albert was
"Aaron," Sam was "Szmul," and Jack was "Itzhak."
Their original surname is also unknown - some people said that it is
"Wonsal," “Wonskolaser" or even Eichelbaum, before it was
changed to "Warner." (Sources: Doug Sinclair | Tody Nudo's Hollywood
Legends) In the beginning, Warner Bros.
had trouble attracting top talents. In 1925, at the urging of Sam, Warner Bros.
made the first feature-length "talking pictures" (When he heard of
Sam's idea, Harry famously said "Who the hell wants to hear actors
talk?"). That got the ball rolling for the studio and made Warner Bros.
famous. The Warner Bros. logo, the WB
Shield, has actually gone many revisions. Jason Jones and Matt Williams of CLG
Wiki have the details.
6. Columbia Pictures: The Torch Lady
Columbia Pictures was founded in 1919 by the brothers Harry
and Jack Cohn, and Joe Brandt as Cohn-Brandt-Cohn Film Sales. Many of the
studio's early productions were low-budget affairs, so it got nicknamed
"Corned Beef and Cabbage." In 1924, the brothers Cohn bought out
Brandt and renamed their studio Columbia Pictures Corporation in effort to
improve its image. The studio's logo is
Columbia, the female personification of America. It was designed in 1924 and
the identity of the "Torch Lady" model was never conclusively
determined (though more than a dozen women had claimed to be
"it.") In her 1962
autobiography, Bette Davis claimed that Claudia Dell was the model, whereas in
1987 People Magazine named model and Columbia bit-actress Amelia Batchler as
the girl. In 2001, the Chicago Sun-Times named a local woman who worked as an
extra at Columbia named Jane Bartholomew as the model. Given how the logo has
changed over the years, it may just be that all three were right! The current Torch Lady logo was designed in
1993 by Michael J. Deas, who was commissioned by Sony Pictures Entertainment to
return the lady to her "classic" look. Though people thought that actress Annette
Bening was the model, it was actually a Louisiana homemaker and muralist named
Jenny Joseph that modeled the Torch Lady for Deas. Rather than use her face,
however, Deas drew a composite face made from several computer-generated
features (Source: Roger Ebert)
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